1
|
INTRODUCTION
|
3
|
|
|
first inversion
|
55
|
2
|
SOME WAYS
THIS BOOK CAN BE USED
|
3
|
|
|
second inversion
|
57
|
3
|
SCALE AND
CHORD CHARTS
|
6
|
|
|
permutational variations - triads
|
59
|
|
scale chart
|
7
|
|
|
major triad studies
|
60
|
|
chord
superimposition chart
|
8
|
|
|
minor triad studies
|
61
|
|
THE JAZZ TURN
|
9
|
|
|
seventh chords
|
62
|
4
|
DEVELOPING
LINEAR MELODIC LINES
|
10
|
|
|
major seventh
|
62
|
|
cyclical dominant
seventh chord progressions
|
12
|
|
|
major seventh flat five
|
62
|
5
|
SCALES
|
14
|
|
|
dominant seventh
|
63
|
|
blues scales
|
14
|
|
|
minor seventh
|
63
|
|
major scales
|
15
|
|
|
half-diminished seventh
|
64
|
|
natural minor scales
|
16
|
|
|
augmented seventh
|
64
|
|
harmonic minor
scales
|
17
|
|
|
dominant seventh flat five
|
65
|
|
melodic
minor scales
|
18
|
|
|
diminished seventh
|
65
|
|
altered mixolydian
scales
|
19
|
|
|
minor seventh plus five
|
66
|
|
altered diminished
scales
|
20
|
|
|
minor (major seventh)
|
66
|
|
scales in
intervallic series
|
21
|
|
|
major seventh plus five
|
67
|
7
|
MAJOR SCALE
PATTERNS
|
22
|
|
|
minor (major seventh)(plus five)
|
67
|
|
thirds
|
31
|
|
|
permutational variations - seventh chords
|
68
|
|
fourths
|
31
|
|
9
|
THE ALTERED
MIXOLYDIAN SCALE
|
69
|
|
fifths
|
31
|
|
|
altered mixolydian scale patterns
|
69
|
|
sixths
|
32
|
|
9
|
WHOLE-TONE
SCALE PATTERNS
|
73
|
|
sevenths
|
32
|
|
10
|
THE
DIMINISHED SCALE
|
78
|
|
octaves
|
32
|
|
|
diminished scale patterns
|
80
|
|
diatonic
triads
|
41
|
|
12
|
HALF-BELOW
SCALE-ABOVE PATTERNS
|
94
|
|
diatonic
seventh chords
|
43
|
|
|
C13(+11) as a major key dominant chord
|
95
|
|
major scale patterns as a model
|
45
|
|
|
C11(-13, -9) as a minor key dominant chord
|
96
|
|
seventh chord arpeggiations
|
45
|
|
|
CMaj13(+11) as a major key tonic chord
|
96
|
8
|
TRIADS
AND SEVENTH CHORDS AT CONSTANT INTERVALS
|
47
|
|
|
Cmin13 as a minor key tonic chord
|
98
|
|
major triads
|
48
|
|
13
|
TWO-FIVE
PATTERNS
|
99
|
|
root position
|
48
|
|
|
practice methods
|
101
|
|
first inversion
|
49
|
|
|
major and minor two-five patterns
|
110
|
|
second inversion
|
51
|
|
|
suspended triads
|
130
|
|
minor triads
|
53
|
|
|
suspended seventh chords
|
131
|
|
root position
|
53
|
|
|
pentatonic scales
|
132
|